54:2 April 2011
Ophelia, by Sir John Everett Millais, 1851-2; Tate Britain
–Sample Content and Subscriptions–
Forum
- Sara Bremen: Wikipedia Links and Viral Loops
Articles
- George E. Hein: Dewey’s Debt to Barnes
- Stephen T. Asma: Risen Apes and Fallen Angels: The New Museology of Human Origins
- Olga M. Hubard: Illustrating Interpretive Inquiry: A Reflection for Art Museum Education
The Thoughtful Museum
- David Carrier: The Art Museum Today
- Timothy J. Chester: The Persistence of Memory: A Meditation on the Absence of Curators in a Museum Exhibition Project
- Randolph Delehanty: The Wayward Curator: Italian Curators, Erotic Art, and Kid-friendly Labels; Three Trips to the National Archeological Museum of Naples
Digital
Exhibitions
- David Carrier: Tangible Things: Harvard Collections in World History
Books
- Stuart Davies: Museums in a Troubled World: Renewal, Irrelevance or Collapse? by Robert R. Janes
- Alice C. Fu: Group Inquiry at Science Museum Exhibits: Getting Visitors to Ask Juicy Questions by Joshua P. Gutwill and Sue Allen
- D. Carroll Joynes: Artists, Patrons and the Public: Why Culture Changes: What Good are the Arts? by Barry Lord and Gail Dexter Lord
- Nina Simon: Cognitive Surplus: Creativity and Generosity in a Connected Age by Clay Shirky
Can you send guidelines for submission of articles to Curator?
thank you
Please find this information our our website at http://www.curatorjournal.org/submission-guidelines
Hello;
In the March, 1988 issue of Curator, an article by Elana Kalisher entitled Reexamining Diversity: A Look at the Deaf Community in Museums was published. The article included extensive coverage of an exhibition of my work exploring Deaf language, culture and history. I am inquiring if Ms. Kalisher is still working with the Curator or, if not, whether you have any information has to how I might contact her.
I have been working on a large body of work investigating sentient behaviour, loss and awareness and historical perspectives on the sensory experience. Currently I am exploring means of understanding, appreciating and interpreting sound through vibration and the potential for expressing emotionality in the vabrotactile experience.
Thanks for your interest, David Bobier